Category Archives: Movie Reviews

Movie Review: Miami Connection

A friend of mine introduced me to this movie. It’s another one of the increasing number of movies made decades earlier that are just getting a release. Though in this case it’s not because of some sort of controversial content. It’s basically one of the dime a dozen 80’s martial arts action movies that, had it been widely released back in the day, would hardly stand out against the masses of “terrible” movies that came out in the same genre around that time. It really is just elevated by the fact that it has been newly rediscovered and widely released in 2012.

Though I have to say I genuinely enjoyed it for what it is. I was never a believer in “so bad it’s good”. I either genuinely like something for the qualities it has or I don’t, no matter how intentional these qualities might have been. It’s the reason why I despise The Room, because all of its qualities suck and I don’t celebrate lack of quality. Miami Connection on the other hand does have a lot of unintentional bits in it that make it kinda charming. It’s an unintentionally hilarious movie with absolutely atrocious acting in it, saved only by some above average fighting choreography and the sheer amount of fights these guys get in. It’s also elevated by the preposterous story of a martial arts rock band who face animosity from two sides at once: A previous bar band who got replaced by the new one with the awesome name Dragon Sound wants their job back, and the female member of the new band – who is in a romantic relationship with the bass player of all people who, true to the stereotype, is the ugliest one in the band – just happens to be the sister of a gang leader who gets the job from the rivaling band.

Oh, and there’s also biker ninjas from Mars. Ok, the “from Mars” bit is a lie, but it flows right off the tongue and doesn’t sound out of place, right? Still, they’re biker ninjas and their gang is friends with the other gang tasked to kill the band. So once that gang predictably meets its end at the hands of 3 black belt Taekowndo fighters – the very same people who play in the band – we get some awesome ninja action as well. This is the kind of stuff that Black Dynamite made fun of, the ever escalating scale of ridiculousness.

It’s all sprinkled with this thick layer of charm, because you know full well that the guys who made this movie were in love with all the cheesy tropes of the genre. And they had this wonderful moral of the story put right into it with the song “Friends” that the band actually performs in the movie. Though speaking of the song, I’d say “Against the Ninja” is even better:

Still, the movie does have problems. Every other scene is entirely too long and entirely superfluous at that. It really seems like every plot relevant scene is followed by one that serves no purpose in the story and some of the scenes that do go on for way too long. Though there’s this hilarious scene that basically foreshadows the end of the movie perfectly, which consists of a Taekwondo training routine with awfully executed choreography, where half the hits don’t seem to connect and just about every single one of the reactions to a hit is delayed or otherwise off.

In the end, I’d say it’s an alright movie. Nothing too bad and the bad bits are overshadowed by the awesome stuff that’s in there. And I genuinely have to say that I had the dumbest grin on my face while watching it, interspersed with some genuine laughter during the unintentionally funny bits. So yeah, this gets a recommendation.

Movie Review: Interstellar

I missed this one in theaters because it came out in a time when I really just couldn’t be arsed to go to the movies. That was just a time when I simply wasn’t interested in watching any movies whatsoever. But I think I’m turning around to watching some more stuff now and I have quite a bit of catching up to do.

In any case, I think Interstellar is a beautiful movie. As much as it gets compared to 2001: A Space Odyssey and how it obviously wants to be compared to 2001, the two really don’t have much in common I feel. I mean sure, you have the wormhole versus the monolith but that can be also true of any other science fiction story that features interstellar space travel by means other than FTL travel. By the same decree this could easily be a reference to Event Horizon as well, though I highly doubt Christopher Nolan would make a reference to that piece of shit.

Outside of that I really love that this is a story about humanity and that it actually has a lot of humanity in it. Nolan’s previous movies have all been characterized by a distinct lack of humanity and emotional weight, more focused on telling stories with complex if largely stoic characters. But with Interstellar, I believe he and his brother managed to write a story that is primarily about not just saving humanity the species, but humanity the concept. So much of the plot is driven by actions based on affection rather than cold calculating logic, which is another stark contrast to 2001. Characters make mistakes and admit those mistakes. Not everything is calculated to the nth degree. And I believe this was done out of necessity because the film deals with such a dry subject matter, that it would’ve been a bore for modern audiences to watch something akin to 2001 in theaters. It’s one of the reasons why I can’t show 2001 to my friends despite it being my favorite movie of all time, I know that it would put them to sleep because they simply don’t approach movies the same way I do.

I don’t think I have to talk a lot about the science in this movie. Smarter people than me have already said enough about how plausible or implausible the concepts put forth by the movie are. Though I generally have to say that I greatly enjoyed the adherence to real science and how interstellar travel would theoretically actually work. And suffice it to say that I was really impressed by the twist when it was revealed. I already knew something like this was bound to happen because I believe Nolan is anything but a spiritual person so all the unexplained stuff he sets up in the beginning of the movie clearly need a payoff later on. And I feel that it neatly used the mechanics set up by early in the movie to turn the whole into more than the sum of its parts.

As a whole I think Interstellar might not have much to say though. See, traditionally good science fiction is always about tackling a problem by extrapolating from the original problem and presenting it in the most extreme conditions possible. It’s then about thinking of all kinds of possible scenarios where it could go horribly wrong and how to eventually deal with it. And Interstellar doesn’t do that. It favors emotional investment over posing complex conundrums. Strip out all the scientific nomenclature and replace it with standard bad sci-fi gobbledygook and the story stays exactly the same. That doesn’t bother me at all, but I think it’s worth highlighting, especially when compared and contrasted with Nolan’s previous work as well as the intended rigorous adherence to actual science.

Still, it’s an engaging piece of art. I might have to think about the movie some more in context with Nolan’s filmography, but as of right now, I feel Interstellar is his best work to date.